.
As spunky as my main character is, she's too often the passive observer, the angel lifting her skirts out of the muck. I need to activate her.
I note the three words printed in big type and pinned to my wall: WANT -- OBSTACLE -- ACTION. On every page, in every scene. (I've been slipping on this — I've work to do!)
I liked this essay on developing character by Alicia Rasley: "Sympathy without Saintliness." Here's a quote:
So forget about perfection. Forget about loading this poor guy down with a miserable past. Just give the protagonist trouble now, and make it a struggle-- and the reader can't help but sympathize.
We sympathize more with characters who have to WORK to be good, and we see the effort involved.
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