Notes on the Writing Life: Mistress of the Sun

Notes on the Writing Life

Notes on the Writing Life
Showing posts with label Mistress of the Sun. Show all posts
Showing posts with label Mistress of the Sun. Show all posts

Tuesday, February 23, 2010

Google Lit Trip: student guides wanted!

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I just found out about Google Lit Trip and suddenly I'm thinking (with a bit of fatigue, I confess) that I could make a "Lit Trip" for each of my books.

I already have a Google map for all the places mentioned in Mistress of the Sun. It probably wouldn't take too much to turn it into a Lit Trip.

My imagination takes off: embedded photos, both old and new. Passages from the novel. Travel notes!

It's meant to be a great tool for educators — and it is, clearly — but I think the general reader would enjoy it as well. 

Sigh! I have a novel to write. I'm hoping perhaps some students will take this on. There are several wonderful student-created Lit Trips on the Google site. One of my young readers created a website for Mistress of the Sun as part of a computer class. Imagine an English or History teacher assigning the creation of a Google Lit Map of a historical novel ... mine, for example. I'd be delighted to help.

Link for Google Lit Trips:
http://www.googlelittrips.com/GoogleLit/Downloads_etc..html

Link for the Google map of Mistress of the Sun:
http://bit.ly/MistressoftheSunMap

*****
Website: http://www.sandragulland.com/
Blog: http://sandragulland.blogspot.com/
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Wednesday, April 15, 2009

First blog tour reviews

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I "met" Margaret Donsbach on LibraryThing.com, where she is host of the group Books Compared. I was struck by the depth and intelligence of her posts. A passionate reader of historical fiction (as well as a writer), she'd launched a wonderful website Historical Novels Info, where, I'm pleased to report, she has just reviewed Mistress of the Sun. I love this:
"Mistress of the Sun portrays both the brittle, artificial pleasures of the Sun King's extravagant court and the human—indeed, animal—nature of those who lived there. Diamonds turn out to be paste; lakes that glitter magnificently under fireworks prove to be choked with algae by day; friends become betrayers."
If you love historical fiction, be sure to check out Historical Novels. The depth and breath of Margaret's listings is amazing. Here, alone, is the listing for novels set in 17th century Europe: I learned a lot.

As I was posting this blog, another review was posted, this one to Scandalous Women: "I found it hard to put Mistress of the Sun down." Just what I love to hear.


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Link to Historical Novels Info: http://www.historicalnovels.info

Link to Scandalous Women review:
http://tinyurl.com/cn5q3g
Link to my Blog Tour details: http://tinyurl.com/cbk662
Link to my blog (and website): http://sandragulland.blogspot.com/
Link to my newsletter sign-up: http://sandragulland.com/contacts/index.html

Thursday, November 27, 2008

A Romantic Tragedy

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Happy Thanksgiving to all my U.S. friends and readers. As Canadians who have already celebrated the day with abundance aplenty, we nearly forgot. A stranger on the street here in San Miguel greeted me with "Happy Turkey Day!" as I set out for the post office. It's a sunny, warm day and everyone is smiling.

I've been at work today on the biographical essay for an anthology. I think it's coming along (I'm on draft 5), but I'm hoping to have my friend and memoir-writer Beverley Donofrio have a look at it before I send it off.

I also started an essay on Bone Magic and 17th century horsemanship — possibly to be used in the "P.S." back section of the Canadian paperback edition of Mistress of the Sun, and a shortened version for Wonders and Marvels, a 17th century research blog I'm a big fan of. I'm not sure yet. I've begun by dumping everything that comes to mind into a Word file. Tomorrow I'll print it out and see what I have.

"Bone Magic" was the working title for Mistress of the Sun, and in searching through my files for information on the ritual, I came upon an early draft subtitled:

A Romantic Tragedy with Several Changes of Scene

I still love that.

I don't write romances, but I think it might be fair to say that I do write romantic tragedies. I don't think that's a popular genre, however. Tant pis!

Wednesday, October 15, 2008

Unicorns and more

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I recently got a letter from a friend who had just read Mistress of the Sun, which features a white horse which is mythic in spirit, magical — rather in the way of a unicorn. She reminded me of a party I’d gone to over 35 years ago. The theme of the party was to come as your “true essence," and I’d gone as a unicorn.

I have only a vague recollection of this. People ask me, "What is the significance of the horse in the novel?" My answer has been that it’s my main character’s true self, Petite's unbridled essence. And now I begin to see how much this is about me, as well.

In St. Louis, while on tour this last June, I had the pleasure to meet Beckah Voigt, the woman who had danced the part of Josephine in an amazing one-woman production. She understood that I might be too tired to meet — and I was — but mentioned that she did "energy work." I told her I could use "energy work"; I didn't know what it was, but, as the Quakers say, "it spoke to my condition." We made a date: we would meet, and I would rest. (The ultimate in multi-tasking.)

Meeting Beckah was like discovering a sister, and after the "work" — which was meditative in the extreme — she talked of what she had sensed. She didn't know anything about Mistress of the Sun, so I was astonished when she said that she got a very strong impression of a flying white horse.

All this just to say that it seems to me that the process of creation — whether it be a novel, a poem, a painting — has deep roots in an unconscious personal mythology, and that you won't really even know this until long after the work is completed.

Thursday, July 10, 2008

Tour notes

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I've more-or-less unpacked. I've stacks of papers and books everywhere, thoughts scattered. Before I move on, I want to note down some memorable moments from my tour. There were so many.

Diane, my wonderful escort in Chicago, had previously owned a bookstore out west, not long before. She loved the Josephine B. Trilogy and had hand-sold lots. She told me how furious customers could get if the 2nd or 3rd in the Trilogy was not in stock. She and her staff came to call any frustrated customer response "that Josephine B. look." (I love this.)

(An aside: Diane and one of the bookstore owners got into an interesting discussion on the differences between male and female book-buyers. Men, in general: don't browse, need lots of space, don't like being crowded, buy non-fiction, don't discuss a book with staff or other customers, buy greeting cards in 15 seconds, while women will linger over the cards for some time. It was this last I found most amusing. I can't imagine buying a greeting card without reading nearly every one on the rack, but I'd never imagined that I was hard-wired to do so.)

One of the most moving things about publishing is when other artists are inspired to create something of their own in response to a work. I've mentioned earlier in this blog meeting Rachel Maes, who wrote "To Destiny," an 8-page epic poem inspired by the Josephine B. Trilogy. In St. Louis I met the director, Janet Park Datema, and dancer, Beckah Voigt, of the one-woman dance performance inspired by the Trilogy and performed in St. Louis in the fall of 2004.

Beckah, Head of Dance Program at Webster University, also does "energy work" — and treated me to an astonishing session. She knew nothing of Mistress of the Sun, yet during the session had a strong image of a flying white horse (which tells me that Diablo is still very much with me).

I loved meeting other authors while on tour. In West Chester, PA, I met Susan Holloway Scott, author of Royal Harlot, Duchess, and coming soon, The King's Favorite, about Nell Gwyn. In a Borders event in Wilmette, IL, I met Aimée Laberge, Canadian author of Where the River Narrows. I had blurbed this wonderful historical novel, so it was a pleasure to meet Aimée. We had previously met, but only briefly, at a Writers' Union AGM in Montreal. At another Borders event in Birmingham, MI, I met aspiring writer Karen Batchelor, a life coach who wants to write about her slave ancestors, and Philine Tucker, an award-winning romance writer who is now turning to historical fiction.

In California, I began seeing family at events. At Borders in Thousand Oaks, just north of LA, my sister Robin and her fiance Betsy (partners for decades and soon to be married this wonderful Summer of Love in California) as well as Betsy's mom Alma greeted me enthusiastically.

While in LA, I met, at last, Dan Smetanka — a brilliant editor who had been so important in the evolution of Mistress of the Sun. We'd worked closely together — the relationship between an editor and writer can be intensely intimate — but had never met. We talked in an exploratory way about The Next Novel.

The following night, at famous Volman's bookstore in Pasadena, I was surprised to see three people. First, Manuel Romo and his wife. My husband and I know Manuel well — we rent a casita from him when we go to a beach in Mexico every January — but I'd never seen him in a jacket and reading glasses and long pants, and certainly never expected to see him in California. He laughed at my puzzlement, "You don't recognize me!"

Then there was Alisha and her husband Andy. Alisha is a cousin's daughter (second-cousin, then?), and a dear family connection. She spends hours each week with the apes at the zoo and has learned how to communicate with them. I persuaded her to share this special language at my reading. I have it on video and will post it as soon as I get my computers sorted out.

And then there was Bonnie Sachs, with whom I'd shared a glorious week on horseback in the Loire Valley. We had a wonderful time relating stories.

Once in San Francisco, in the Bay Area, I was truly in home territory, a wonderful place to end the tour. At Book Passage in Corte Madera, I met virtual friend and author, Deborah Grabien, close family friend Andrée Morgana, who brought Suzy and Val from high school days (!), my brother's wife Jenny with her mother and aunt, and — now back in northern California — soon-to-be sister-in-law Betsy. I've never had so many photographs taken — they were like paparazzi!

Then, the next day in San Francisco, after a full morning of bookstore stock signing, I had a wonderful lunch-meet with historical novelist Christopher Gortner, who glowingly reviewed Mistress of the Sun for the Historical Novels Society. It's a special thing when a reader strongly "clicks" with your work, and the more so when that reader is a writer. Christopher's novel The Last Queen will be out shortly — I'm very much looking forward to reading it.

And then, at a wonderful last event in Oakland, at A Great Good Place for Books: brother Perry and Jenny (again!), aunt Dildar, my 90-year-old dad, Bob Zentner, who I induced to demonstrate in my wig. (Photo to come.)

Also there: writer, anthologist and pal Victoria Zackeim, her daughter and her daughter's two daughters (such a beautiful family), as well as — tra la! — three members of Books et Al, a book club that had read Mistress of the Sun in draft before it was published, and whose feedback had been so important to the final final final draft.

And thus came to an end a four-week tour I had expected to exhaust and deplete me, but which I enjoyed enormously.

This photo was taken by Jenny at this last event:

Monday, June 23, 2008

The Bookworm in Edwards, CO

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It was a two-and-a-half hour drive from Denver to Edwards, but well worth it. The Bookworm is one of the best bookstores I've seen, and they really know how to put on an event: great advertising, good wine, exceptionally tasty appetisers.

Okay, this may sound silly, but I discovered the first sign of their savvy advertising in the washroom:



What a perfect place for an ad! It's a universal truth known to all bookstore owners that book browsing and the need to use a washroom are mysteriously yet biologically linked. (Seinfeld confirmed this in a skit.)

It was a great audience. Many of them had already read — and loved! — Mistress of the Sun.



There were 51 in attendance, a number of them from book clubs. Here is another mother/daughter portrait: Therese and her lovely daughter, Rachel.



Another mother told me that she was looking forward to going to Paris with her daughter. They had read the Trilogy and would be tracing Josephine's route. What did I suggest? I recommended that she read Walks through Napoleon & Josephine's Paris by Diana Reid Haig. This is a gorgeous book, recently given to me by a very special person, Janet Park Datema (more on Janet later), in St. Louis. Another good guide I recommend to Trilogy tourists (of whom there are a number!) is You Go Girl Paris. The authors list many Josephine B. sites to see.

All-in-all, a fabulous evening! Thank you, Bookworms all.

Wednesday, May 21, 2008

What next?

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James Macgowan has published an article in the Ottawa Citizen, "After the End," asking writers what they do after a novel is finished. I'm in that space now (and starting to feel a bit too much at home in it). I was somewhat pained by Alan Cumyn's claim that the novel is never really over, reassured by Andrew Pyper's "cut adrift" feeling, and totally related to Scott Gardiner's getting onto all the chores that were ignored in that all-consuming last push to finish. Gail Anderson-Dargatz's answer was romantic and charming:
I have a confession to make: I have an "affair" with my next project before I finish the first, just so I avoid many of the feelings of separation that come when I "divorce" my main novel project and move on. And I do go through real separation at the end of a project, with many of the accompanying feelings of grief, anger, exhaustion and general stress, before finally coming to an acceptance that yes, the relationship is over and it's time to move on. After all, I've spent the better part of five years with this novel. Moving on to that new project before the old "marriage" is over means I have something exciting to look forward to, a place to redirect my focus, so I don't stay in the doldrums as long. So a little fling is a good thing. I think those feelings of separation as we move out of a project are necessary in giving us distance from it, so we can move into the editing process with a new perspective. It's very much like that moment when you see your old love on the street (after the divorce is over) and you can see the guy for who he really is, and can judge him accordingly, without the fuzz of love to distort your perceptions.
It took me a moment to realize that this is exactly what had happened with Mistress of the Sun. I'd finished The Many Lives & Secret Sorrows of Josephine B., and decided to have "an affair" with Louise de la Vallière's story before returning to the very long marriage of the Trilogy. After finishing the Trilogy and writing an early draft of Mistress, I took a detour into the life of La Grande Mademoiselle -- whose story I may well write about now. It reminds me that writing is more of a meandering journey where nothing really is wasted.
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