Notes on the Writing Life: image research

Notes on the Writing Life

Notes on the Writing Life
Showing posts with label image research. Show all posts
Showing posts with label image research. Show all posts

Tuesday, December 7, 2010

Click, click, click! Where ideas come from ...

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My son Chet sent me the link to this video on creativity, which pulled lots of thoughts I'm having right now into place.



The importance of connectivity
A post I wrote on a blog about searching for information on the Theatre of the Marais in 17th century Paris was happened upon by John Golder, a scholar in 17th century French theatre. He himself had been surfing the Net for information about the Theatre of the Marais. He read my blog and contacted me through my website. "Can I help?" Magic words!

Since then I've been on a very steep creative and learning curve, thanks to John ... and thanks to this thing called connectivity. Had I not put my questions out there, had I not made myself available, I would not have learned what I'm learning today.

The importance of desperately seeking
Last spring, in Ottawa, at the Writers' Union AGM, I had lunch with novelist Frances Itani. I said: "You know how when you're writing a novel, the answers just fall into your lap?" She knew exactly what I meant. There is something desperately seeking about the process of writing a novel: Seek and ye shall find.

In the early drafts of my novel, my character makes reference, at the end, to the writer Madame de Villedieu. But that was the only mention, and I wondered about that.

Now, in the midst of my third draft, my character's mother has just joined the Hôtel de Bourgogne, another theatre company, and I needed to know what play this company was about to produce. After some time yesterday I found the name of the play, and after more time yet I finally found the author of the tragedy: Madame de Villedieu.

Bonanza! 
It could be said that this morning's work researching Villedieu—instead of writing—was a wasted day, but I don't think so. One thing I learned was that Villedieu was not only an originator of historical novels, but that she worked openly, communicating with her readers and the salons of the day...which comes around to the subject of this post: the importance of connectivity. The video mentions the Paris salons bringing about innovation because of the connectivity encouraged there.

Click, click, click!
Madame de Villedieu is apt only to have a walk-on part in the novel I'm writing now, but I'm tucking her away for the future. For a long time, I've been wanting to write a novel about La Grande Mademoiselle, the King's cousin—trying to write, I should say, for I've hundreds of pages in a drawer—but I could never seem to find the right key, the way into her story. It's possible that Villedieu, who dedicated a play and a novel to this eccentric feminist, might just be that key.


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Tuesday, October 26, 2010

Ask and ye shall find

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Doug De La Matter, a reader of this blog, sent me the answer to my question: Who painted the image I pin in front of my computer—an image I find profoundly evocative of the creative process? (See my post below.)

The artist, it turns out, is Evariste Vital Luminais, from Nantes, France (1821-1896), and the name of the painting is "Enervés Jumièges," which refers to an ancient and tragic legend about the sons of Clovis II. 


Frankly, I don't really want to know what the painting represents because I've created my own story around it. What I do find quite interesting, however, is the evolution of the work. 


The first draft
The first study for the painting is, I've read, of torture. (No! Don't tell me that.)
The second draft
Second image shows a boy grieving:

The final
There are two versions of the final. The first, "The Sons of Clovis II," has a hopeless, leaden quality ...
 ...  quite different from the second, which is the one that "speaks" to me. In this one I like the way the man on the left stares into space in such a focussed way. I like to think he's on the edge of waking, thinking ... thinking ... .
For more on these evocative paintings, see this article on Wikipedia. For more on the work of Evariste Vital Luminais, click here

Thank you, Doug! He revealed that he was able to solve the mystery by posting the image on LinkedIn Questions and within 10 minutes was directed to images on tineye.com. Another person supplied a translation of a Wiki entry. All of which proves how incredible powerful Net research can be. 


A note on TinEye.com: this is an amazing search engine. You can upload an image, and it will tell you where else it is on the Net. Artists use it to make sure that their work isn't being used without permission, but I will find it useful, I'm sure, to track down the name and artist of an image. 

Sandra Gulland

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